Ekies Resort Outdoor
The project is about redesigning the pool area and the main lobby and 15 new suites.
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The project is about redesigning the pool area and the main lobby and 15 new suites.
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The concept of the jewelry store KAKURU is all about bringing the principles of the creator into architecture, into life. Design curves, inspiration from nature and materiality, all in an organic and gravityless space. A sense of levitation dominates the interior space, due to all the suspended display cases, mirrors and lights, the thin legs of the furniture, and even the interior glass façade of the attic, that creates a visual section inside the space.
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The term of “epicuric” has been connected through the centuries with pleasure and fine food and drink.
The design concept of the bar restaurant was based on the aesthetic performance of pleasure.
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“8 years after my personal overall lush approach, I revisited once again this “fatal” space, claiming to repair the midtime rough interventions and reprovide its lost compelling and stark quality. Dealing a low budget, new functional demands have been responded as well.”
Wassily Karalasos
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Inside one of the oldest arcades of downtown Athens, in Stoa Spiromiliou, the restaurant Ilios was designed with references to the Athenian diner of the 50s and 60s decades.
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Colors Urban Hotel design had two challenges: working with a listed building which was designed by Hasid Fernandez and Jacques Pleyber in 1925, and the design of a contemporary hotel, up to the standards of the modern traveler.
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The Excelsior Hotel is a 5 star boutique hotel in Thessaloniki center, next to Aristotelous square, right in the heart of this vibrant town. Situated in the historical building of the classic and glorious Excelsior Hotel, dating back to 1924, the new Excelsior is one of the most prominent small luxury hotels in Europe.
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Valitsaki is designed to be a hotel shop, located on the ground level of City Hotel in Thessaloniki.
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Located on the seafront, next to the port, the exterior facade’s layer, corresponds directly to the warehouse brick walls articulation, when natural light’s penetration was partially needed. Since the removable panels opened, at club’s opening, on sunset hour, the double glazed interior layer reflects the open ablaze horizon. The interior knowingly yet nobly refers to 80’s decade, through the appropriate materials, tones and lighting.
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A shell’s theatrical approach counterpoised by the austere layout with intelligible circulation, accurate people’s settlement and delight, and unobstructed views, from all points and levels towards the stage. The primarily orthonormal arrangement of levels gradually shifts and gives place to more fluid, rigid though, forms of bars and fixed stands, decomposed and recomposed in an entity, enhanced by the bespoke overhanged lighting features. An intentional touch to that exact nostalgic nerve, that guides back to the somehow exuberant and lustful ambiance of the early 00’s thematic hyper-clubs, reinvented and landed to present.
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